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Most recently published stories in Geeks.
Book Review: "Word Watching" by Julian Burnside
There's something about words that takes me into a whole new world. I love the idea of pouring over a word's meaning, etymology and how it came to be used - the more obscure the better. Our narrator describes himself as an 'amateur philologist' and yet, goes into fanatastic depth about individual words and phrases, showing us the backstories of how they've been used socially and culturally, as idioms and in their true forms. With the insertion of the OED and Dr Samuel Johnson's dictionary plus many more, he manages to show us how words have been defined differently over time. There is a lot in language to take issue with therefore. If you've read the book then you'll understand why I wrote 'issue' in italics.
By Annie Kapura day ago in Geeks
Greek Gods Power Rankings. AI-Generated.
The world of Greek gods isn’t about fairness or mortal rules—it’s about limitless power, divine influence, and the consequences of hubris. Some gods appear mighty but falter under pressure, while others wield abilities so vast that even entire armies tremble before them.
By Top Rankeda day ago in Geeks
Rocky Power Rankings. AI-Generated.
The world of Rocky & Creed isn’t about fair fights or clean victories—it’s about grit, heart, and who can endure the most punishment while keeping their fists up. Some fighters look unstoppable until they crack, while others quietly dominate with technique, strategy, and unrelenting will.
By Top Rankeda day ago in Geeks
MCU Power Ranking. AI-Generated.
The world of the Marvel Cinematic Universe isn’t built on simple heroics — it’s built on escalation. Gods clash with titans. Super soldiers fight alongside sorcerers. Billionaires in armor stand next to literal cosmic entities. Some characters dominate street-level conflicts but disappear the moment the battlefield expands. Others seem grounded until their abilities scale to planetary — or even universal — stakes. And then there are the few whose power reshapes reality itself, operating on a level where entire armies become background noise.
By Top Rankeda day ago in Geeks
SpongeBob Reviews
The episode “Mermaid Man and Barnacle Boy 2” unfurls like a bright‑sanded postcard, its opening sequence glinting with the pastel hues of a sun‑drenched Bikini Bottom morning as SpongeBob triumphantly claims a mystical conch shell that he won as part of a contest. The moment the shell reverberates with a low, resonant chime, the narrative vaults from the ordinary to the heroic, propelling our earnest fry‑cook into the glittering realm of his childhood idols. The writing cleverly balances nostalgic reverence for the retired super‑duo with a fresh, kinetic energy that feels both lovingly familiar and startlingly new; every splash of water, every burst of kelp‑filled laughter is rendered with such vivid detail that the audience can almost taste the salty breeze wafting through the coral‑lined streets of Mermaid Man’s secret hideout. This meticulous world‑building forms the sturdy backbone upon which the episode’s comedy and heart will later flourish.
By Forest Green2 days ago in Geeks
Spongebob Review
The episode “Hooky” opens with a bright, sun‑splashed morning in Bikini Bottom, and the camera glides lazily over the familiar pastel‑hued streets before settling on the Krusty Krabs. A perturbed Mr. Krabs warns everybody in the place that the hooks had returned and no one pays attention to him, especially Squidward. But Spongebob is interested in what Krabs has to say. He tells him once in every year, people go fishing to catch fish from up the surface and the worst part is being placed in gift shops. He delivers a stern admonition to his employee: “No fiddlin’ with hooks, lad—danger lurks in every gleam!” The warning, delivered in his trademark, gravelly drawl, is underscored by a subtle, low‑key musical cue that hints at impending mischief. SpongeBob, ever‑optimistic and perpetually gullible, immediately interprets the caution as a challenge rather than a safeguard, while Patrick, his dim‑witted yet endearing sidekick, brightens the scene with a series of delighted exclamations. He tells Spongebob that the carnival is in town and he should skip work to see it. The animation here is especially noteworthy, employing exaggerated, rubber‑like movements for the two friends as they bounce into the open sea, their eyes wide with childlike wonder—a visual language that instantly conveys both innocence and the looming sense of chaos that will soon ensnare them.
By Forest Green2 days ago in Geeks
